#even then it's specific areas of those states

[tmwcs]

PART ONE

Warnings: Nothing unusual to report…not yet. Just references from the last two fairy tales posted in Masterlist. This includes the teaser posted two days ago. If you’ve read the teaser, skip through until you see the red text. That’s where the additional part of the story continues.

“Young girl in the local area is the second to disappear without a trace. Authorities are on high alert and encourage all women to remain at home and avoid traveling alone.”

You click on the abrupt notification–the article details the two young women who vanished within the last six months. The first girl disappeared while traveling and visiting her grandmother’s house and another was on her way to a job interview at the local library, but never made it. The strange occurrences had everyone panicking and adhering to the extreme measures to avoid their daughters from being the next to abruptly disappear.

“Y/N, take the car and drop your sister off at her friend’s house.” your mother urges. Your younger sister was around the same age as the young girls who had disappeared, so it became understandable why her safety was paramount. Of course you weren’t excluded from concern, however, being that you were older and already on your way to finishing up your college education, it’s presumed that you were in the clear. At least that’s what the authorities stated in their public announcements.

“Take her, make sure you watch her enter the house before you drive off. Then come right back here, understand?” your mother’s strict orders were firm and left no room for argument. “Fine.” you answered quietly. Running errands and dropping off your younger sibling always came with the same warnings and specific instructions–nothing out of the ordinary.

The drive wasn’t terribly far–around twenty minutes. Sometimes you wonder why your family decided to reside in the suburbs–so far from the city. Wouldn’t it have been better had they considered moving closer? Considering that both your parents place of employment and your younger sister’s school, it would be so much more convenient had they found a neighborhood much closer.

“I feel so sorry for that girl–you know?”

Her voice interrupts your thoughts as you delicately come to a stop at the red light. “Are you talking about the one that just disappeared?”

“Yeah. She was so pretty too, just like the first one.” her voice was soft and tender, and just like those girls, your precious younger sibling couldn’t be excluded from the list of potential victims. No wonder your parents were always so concerned over her staying late for after school activities. With her traditional beauty and delicate frame, she was every kidnapper's dream.

Pulling up the driveway, you followed your mother’s instructions as ordered. Checking your phone, you send a text out to notify your parents that you both made it at the sleepover, when your sister's phone screen abruptly is placed in front of you, followed by a small giggle.

“What is that?” you sharply questioned, a slight annoyance accompanies your tone. “Isn’t it cute? I took it earlier today.”

Being the prankster that she was, it was no surprise that you became a pawn in your sister’s line of mischievous acts. “So uncool. Erase that.”

“Oh come on! I took it because you looked so pretty. You know, everyone always says the same thing–even in high school. Remember all those times you napped during the lunch hour? Everyone always said that you looked so pretty whenever you slept. Guess that’s why they always called you that name, huh?”

You let out a tiring sigh. “Yeah, I guess so.” it was true–the nickname stuck with you even all through college when your friends carried the name over. They would always ask you in jest why you slept so often, and you wish you had an answer for them, but you never could come up with one. You don't know why–all your life you just felt so tired. Your pondering thoughts are interrupted once more when you hear your sister thanking you for the ride.

“Alright, Sleeping Beauty! Thanks for dropping me off! Love you!”

………

The twenty minute drive back seemed much longer than before. Perhaps you’re just tired—all the assignments and study sessions were probably getting to you. You pull up and notice the other car gone. Did your parents go out?

You walk in and took the precautionary measures to lock the door behind. A small note is left propped on the dinner table, addressed to you:

‘Y/N, dinner is in the oven. Your dad and I went out to see some old friends—we will be back later. Love, mom.’

Well, there are worse things than to have an entire house all to yourself. The peaceful and quiet atmosphere was a pleasant contrast from the cyclic ruckus you grew to block out. For once, it was nice to not walk around with headphones and enjoy the stale sound of silence. Yet, it would appear you spoke too soon—your phone rings. Noticing the number, you answer half heartedly “hey girl.”

Your best friend answers with a myriad of giggles and knavery tone. “Guess what?”

“What?”

“We have a few transfer students that came in and all of them are going to be at Jess’s party tonight. You coming?”

You sigh. “No, don’t think I will. I’m tired.”

“You’re always tired!” Your best friend berates in disappointment. “Come on! At least look at the photo I just sent! They’re gorgeous!”

You spare a half glance at the photo and saw a group of young men posing for a photo. “I can’t—I still have to finish some things and I really am so tired.”

“Fine! You’re no fun but I still love you.” She giggles as she bids you goodbye. The last bit of her words replayed in echoes as you eeee taken back to a time in high school where she said the very same thing before…

‘…You’re no fun, but I still love you.’

You’re quite certain your friend recalls the events that occurred afterwards, when she left you at the theater after you denied her invitation to skip out on class and to attend a social gathering. You had rejected her offer and remained in the projection room to nap for an hour before your next class began. That was when you had the strangest dream. Remnants of that moment came back like pieces of a puzzle when you recalled that time —the dream was vivid and felt so real. A figure walking up and presenting a beautiful red rose—doing so delicately as to not wake you. It was as if you err watching a grainy film as you witnessed the happenings—from him laying the flower in your hand, stroking your hair, and kissing your forehead. The strangest bit was when you awoke for your next class, a rose was within your grasp. Yet, the projection room remained locked from the inside, leaving no margin for entry to anyone from the outside. Yet, still…no matter how many times you brushed it off, each moment you come back to that memory it just made you feel like something…something was—

*ring ring*

Your phone rings and you view the screen. You didn’t recognize the number so you ignored the call. The caller didn’t leave a voice message either, probably a scam call. You’ve been getting a lot of them lately.

Other than the two phone calls, your night was rather peaceful. You ate a light dinner and figured it would be best to start your reading materials before it gets too late. Washing the dishes, you scrubbed your plate in soapy water. The surface read covered by foamy bubbles, leaving the bottom elusive. A sharp prick stings the tip of your index finger, causing you to quickly retract your hand from the depths of the warm water. “What the hell?!”

You run the faucet on and rinse the wound under the fluid motion of the lukewarm stream and notice a single red dot. You drained the sink and didn’t notice any broken glass or dishes—what did you poke your finger on?

As the last remnants of soap and bubble spiral down the drain, your eyes caught on to something foreign from the steel background. Was that a…

“…a thorn?”

Your mind was boggled by the existence of a single rose thorn inside the sink. Strange. You held the thorn in hand and studied it for a second before your phone rang once more. It was your mother.

“Hello?”

“Y/N, I’m just checking in. Did you eat?”

“Yeah.”

You remain somewhat calm as you ponder about the thorn while hearing your mother rant about locking all the doors and windows. “Yeah, got it. Hey mom—“

You quickly catch her before she starts to say her goodbye. “Did you get roses or something?”

“Oh yes—for our friends. I went to the store and grabbed a small bouquet, why?”

You rolled your eyes out of relief and suddenly found the entire situation comical. “Nothing. I just saw a rose thorn in the sink.”

“Oh yes, I had rinsed them in the sink and put them in a vase. Be Careful when washing dishes.”

“Yeeeeah.” Your tone was sarcastic but she didn’t seem to catch on. Instead, she bid you farewell and you both hang up.

Placing the phone down, you felt a wave of fatigue hit you abruptly. Normally you felt tired and lethargic, but never have you felt extremely exhausted so suddenly. Your eyesight became dizzy—your body starts to feel weak. “What the hell…is…”

You couldn’t understand where this sudden sensation of fatigue came from. It’s as overwhelming and nearly took over your entire body—to the point where you found it hard to stand. It was as if you were punched by the sandman. You stumble your way up the stairs—leaning against the bannister on your way up.

Tired…so tired…too tired.

Marching up, you finally reached your bedroom and plopped yourself atop your bed. The mixture of cool and warm temperatures overwhelm you as the texture of the linen absorbs your body heat—the cotton fabric comforting you. Drifting off, you only lasted seconds upon laying down when everything suddenly goes to black.

So sleepy…

Taglist: @strxwbloody • @nshmrarki • @aquariushiiiii • @addictedtohobi • @nuriicata • @lilyuwon • @aanniikkaa •

[l1v1ngd3dgrrl]

Talkin' In your sleep [Daisuke x Reader]

AN: this is my first smut, so if it seems like I don't know what I'm doing I probably don't lmao (please forgive me if it's bad!) I'm kinda testing the waters a bit. Dorky guys that are sweethearts in bed just raaaghh. Love 'em.Y/n (you) and Daisuke are in their early 20's. Personally I imagine them being like 22 but anywhere from 20-23 is fine too. Implied Fem reader, but no real gender specific pronouns or language is used..I may have gone a lil crazy

MDNI divider is from cafekitsune

Word Count: 2617

CW(S): Somewhat of a slow burn, Wet dreaming, oral sex (male receiving), semi-public (oral) sex?, cum swallowing.

Being the two last minute additions to the Tulpar, you and Daisuke never got proper rooms. Both of you simply had makeshift beds in the Lounge area. The beds in question being just a couple of spare blankets laid out for cushioning. They weren't comfortable by any means.

Anya, being the kind soul she was, had offered to take two of the cots from the infirmary and lay them down on the floor for the both of you, which y'all declined politely opting to tough out this journey.

This was one of those nights where you mentally kicked yourself for declining Anya's offer. Surely the cheap, almost tarp like feeling of the mattress was better than laying down on metal with nothing more than a blanket and pillow. If anything you'd kick the person back at Headquarters who insisted that you two should go on this trip. Who in the hell sends six people on a ship only designed with four crew members in mind?

One of the few good things to come out of it was your friendship with Daisuke, being the two youngest crewmates you spent quite a bit of time together when you were able too. Nights like these you would often chat quietly about random things. Life back home, menial tasks you had to do that day, stuff like that.

Currently you lay awake staring at the ceiling. Trying to will yourself to fall asleep. Daisuke had passed out hours before, even though he was right there beside you, you missed his company. Swansea had him do some particularly heavy work today, so as soon as his head hit the pillow he was out. His soft snoring being the only thing breaking the eerie silence of space.

Not wanting to lay on the floor for much longer you got up quietly and made your way to one of the couches. If you were going to be awake you were at least going to be comfortable.

You sat down and rubbed your hands over your face, sighing quietly. You never really had trouble sleeping as bad back home than you did here. The soft blue glow of the night screen covered nearly the whole room, Possibly another contributing factor to your restlessness.

Damn you and your lack of planning Pony Express!

Part of you wanted to go check the medicine cabinet in Anya's office to see if there were any sleeping pills. That would require waking her up for something you didn't even know was on the ship.

With not much else to do you you grabbed your book that was sitting on the coffee table, the same one you had read at least 3 times since departure. The cover was starting to bend from how much it's been read. In your sleep deprived state you weren't able to focus on a single thing the characters in the book were saying despite having read it enough to have the plot memorized.

After about 20 minutes the silence was broken by Daisuke stirring in his sleep and groaning something incoherent. The sudden noise in the otherwise quiet ship made you jump slightly. You turned your head to look over at him to see if he had gotten up.

His form was still in bed, seemingly sleeping soundly.

"Daisuke?" You called out to him, voice barely above a whisper. "You up?"

no response.

Shrugging you returned back to your book. As you continued to read the plot made less sense to you, eyes growing heavy. You quietly rejoiced and closed the book, sluggishly making your way back to your bed and pulling the covers over your body.

You shimmied around to make yourself as comfortable as possible and exhaled quietly. Sleep soon drifting over you.

The slumber was short lived as Daisuke starting shifting around again. He was mumbling incoherently a bit louder this time. Thinking he was just having a bad dream you tried to ignore him, making a half minded mental note to ask if he was fine in the morning. Once again your eyes closed and you tried to fall back asleep.

"mmmf-fuck." came a soft gasp from your crewmate.

what the fuck?

Eyes now wide open you roll over and turn to look at him.

In the soft blue glow you could see his hair was splayed across his pillow, auburn and blonde strands going every which way. His eyebrows furrowed slightly as if he was concentrating on something, Mouth slightly agape and his breathing coming out in huffs.

Another quiet moan from him made your face heat up and it clicked instantly. You weren't hearing things-it was indeed a moan.

What little sleep you did have now left your body almost instantly, a conflicted feeling taking its place.

Letting him be and acting like you didn't hear him react to whatever dream he was having was an option, you could even wake him and lie that he was snoring too loud and it was disturbing you. Both options left you feeling awkward.

A slightly louder more clear moan left his lips, "y/n please."

Your skin felt hot after hearing that, the way he said your name was doing things to you and it felt like your brain was short circuiting.

Now you didn't exactly hate the idea that Daisuke was dreaming about you, quite the opposite actually. You weren't afraid to admit that you thought Daisuke was attractive. You just never acted on it because of the whole co-workers thing. Pony Express never really made an official rule against it so who knows, maybe something to look foreword to in the future.

Unfortunately for him, you were gonna have to cut his dream short. You quietly made your way over to his bed and knelt down beside him. Placing a hand on his shoulder you shook him slightly.

"Daisuke-Daisuke hey."

He woke up with a groan and rubbed his eyes. "Yeah?"

You pulled your hand back. "Hey sorry- listen you were being a little loud and I wanna sleep."

Daisuke sat up and stretched his arms out in front of him joints cracking slightly, hair still messy from sleep. "m'sorry-Loud?" he asked groggily. You nodded "Yeah, you were making noises."

"Noises?"

You tried to quickly come up with some excuse, but Daisuke caught on to what you really meant almost instantly. His eyes widened once he realized and buried his face in his hands. "Dude y/n I'm so sorry." With a groan he pulled his hands away and sighed. "I'm really sorry-I'll go sleep in the utility room or something."

"You don't have to be sorry." You said quietly. "I'm not like, upset or anything."

Daisuke finally glanced over at you, eyes meeting yours expectantly "You're not?"

"I'm just curious I guess." In a sudden burst of confidence you slid your hand over his. "I kinda wanna know what you were dreaming about."

Daisuke paused for a moment and sucked his cheeks in and nodded. "Well uh, I was dreaming about you-God this is embarrassing."

You began to rub circles over his hand with your thumb, a way to silently offer him reassurance.

"I was dreaming that we were back home and I had invited you over- one thing lead to another and you were giving me head." He stated a full blown blush now covering his face.

You could feel your face heating up as well, no doubt sporting a blush of your own. For the second time that night you made another daring move.

"I can make that happen."

"What?"

"I said I can make that happen, If you're up for it." you repeated gazing into his eyes.

Daisuke stared at you wordlessly for a moment, caught off guard by your suggestion. "I mean yeah-yeah I'm down..Wouldn't we get caught though?"

He had somewhat of a fair point, but then again everyone was asleep. The walls were pretty thick so unless he started screeching like a banshee the likely hood of being caught was slim.

"Are you able to keep it down?"

"I think so?"

"Then what is there to worry about?" You gave him a soft smile. He gave you a sleepy grin of his own. "Alright, I guess we're doing this?" He turned his torso towards you and searched your face intently. You leaned in slowly and pressed your lips against his.

The kisses started off slow, just chaste pecks here and there. It felt like you had a flurry of butterflies in your stomach after each one. Daisuke moved his hands to your back, slowly trailing his fingers down towards your hips as the kisses began to deepen.

Both of you pulled away briefly panting slightly. Daisuke was the first one to move back in for the kiss. He moved one of his hands and placed it behind your head, keeping the other one at the small of your back. You let out a contented sigh into the kiss, trailing one of your hands up is leg slowly.

He jumped slightly, letting out a surprised noise. You chuckled and pulled away from the kiss. Lips slightly puffy. "Sorry did I scare you?"

"You caught me off guard." He said. He threw the blanket off of himself and grabbed your hand and placed it on his erection. You gave it a brief squeeze which caused him to hiss his breath. Unsure if that had hurt him or not you opted to just run your hand over the bulge and locking eyes with him.

He stared back at you, dark brown eyes filled with lust. Closing his eyes he bridged the gap between the two of you with sloppy kisses. You continued palming him through his sleep pants alternating between rougher and softer movements to gauge and see what he likes best.

After a particularly rough rub he let out a similar moan like he had done while he was dreaming. You felt those butterflies from earlier return.

"I don't think I can wait any longer." He groaned as he pulled away. Agreeing with that sentiment you hooked your fingers in the waistband of his boxers and sleep pants and pulled them down. After some shimmying and tugging of the fabric his erection sprang up, tip covered in pre.

You ghosted your fingers along his shaft experimentally, drawing a soft gasp from him. "This is okay right?" You asked softly as you gathered some of the pre from his tip and slid it down the rest of his shaft.

"Yeah-f-fuck yeah it's okay."

You began to move your hand more purposefully now, tightening your grip as you reached the base. Daisuke let out a moan of approval, letting his head fall back. You repeated the movement listening to his huffs.

"Faster please." he managed to get out.

Wordlessly you began to move your hand faster, the sound of the slick seeming to echo off of the walls. Daisuke bit his lip and groaned.

You made a mental note of this moment, storing it for later use. Who knew watching him try and remain quiet could be so attractive? You'd like to have him return the favor at some point, but for now this was about him.

You felt him twitch in your palm and his hand shot up and grasped your wrist firmly. "Too much?"

He shook his head. "I didn't want to cum just yet."

You giggled and glanced towards his face and his dick. You scooted a bit further down and bent over so your face was right in line with it. You gave his tip a quick kiss, The flavor of his pre mildly salty but not unpleasant. You gave it a few more chaste kisses then enveloped the tip into your mouth fully.

Daisuke gasped and quickly moved a hand into your hair. Fingers gently weaving themselves between your locs.

You pulled off and bobbed your head again taking him a bit further into your mouth. Each time you moved his fingers tightened slightly. You let out a contended hum and continued bobbing your head.

Daisuke was panting, soft calls of your name between breaths encouraged you to keep going. His eyes were squeezed tight skin flushed and hot. Sweat beginning to bead on his skin causing some of his hair to stick to his forehead. It was a little hard to see him from the angle you're at, but what you did see of him looked like a work of art. This really wasn't helping your little blooming crush on him.

You went down further, nose touching the base of his cock and swirling your tongue as you moved back up. The whine that came out of Daisuke's mouth went straight to your core. He sounded quite angelic.

He shifted his hips slightly and tugged your hair. "I'm so close please." he whispered. You continued to bob your head, the occasional thrust of Daisuke's hips making your pace falter slightly.

After a few more times of you bobbing up and down he let out a strangled moan and came in your mouth. You slowed your movements, helping him ride out his orgasm. Once you were sure he was finished you swallowed. You noticed the slight artificial sweet taste that it had, a side affect of his bad habit of sneaking sweetener packets.

You wiped the corners of your mouth and sat up. Daisuke was catching his breath, looking at you like you had hung to the moon. He motioned for you to come closer, pulling you in to a kiss. "Thank you that was like, really awesome."

You snorted and pecked him on the cheek. "yeah that was fun" You brushed a strand of his hair away from his forehead. "Did you wanna do it again sometime?" Daisuke smiled at you and nodded. "hell yeah. I'd really like that."

You cleared your throat and yawned. "We should get cleaned up and go to bed." Daisuke had already began to pull his boxers and sleep pants back up. You were getting ready to go back to your bed before Daisuke held you by the wrist. "Wait don't leave yet stay here."

Confused you sat in place watching as he got up to the vending machine in the corner of the lounge. He punched in a few numbers and you heard the thump of something falling. Both of you winced at how loud it was. He returned with a water bottle in hand. He opened the cap and handed it to you with a boyish grin on his face. "I wish I could do a lot more but this is all I can do for you right now."

You took the bottle with a smile. It was a sweet gesture. You thanked him and drank. The two of you sat talking for a bit until you both couldn't stay awake. Eventually you both made your way to your respective beds and fell asleep.

Maybe this was the start of a new nighttime habit between you two.

[hillbillyoracle]

When I talk about the situation for marginalized folks in the South being dire, I want to be very clear that the biggest threat is from legislators.

I think this is a concept that a lot of urban and northern folks struggle to grasp but conservatism exists on a spectrum. I live in a rural southern area. There is no way to avoid knowing, working with, or being friends with conservatives.

Let me give you an example of how it's complicated here.

My partner and I are moving into a new house (renting from my parents) in the same neighborhood. The house previously belonged our neighbor of over 20 years before he passed, a conservative Catholic man. His long time girlfriend, also a conservative Catholic, specifically wanted to sell the house to my Dad since he helped during our neighbor's cancer knowing that he was going to rent it to my partner and I. She even met us both and showed us the place.

Several times when we've been out in the yard working on it, people all up and down the road have come over to introduce themselves and get to know us. Every single one of them has voiced relief upon finding out that it's two quiet lesbians with a connection to the neighborhood moving in. One of the last people to move in, a loud MAGA conservative who regularly shoots loud rifles and hosts loud parties is near universally disliked and we are considered far more preferable.

I cannot count the times I've been over to people's houses with my partner and they've sheepishly confessed they've started voting democrat but don't want people to know. They're incredibly fed up with the culture war bullshit. One woman I know who's been loudly conservative my entre life left a position with a job placement nonprofit when they dropped a woman from the program upon finding out she lived with her girlfriend. She was livid with them and has actively worked against them since.

What I'm trying to say is that the biggest threat to me and my partner are often not the people I live around. It is the people in power. Those that would ban HRT for my partner - something a lot of conservatives I've talked to actively oppose because it opens the door for more government in medicine. Or those that would ban queer community spaces - something a lot of conservatives I know oppose because it opens the doors for states to decide who gets constitutional rights like the right to assembly.

TL;DR: Southerners are not a monolith. The reason we're in such a precarious position are the legislators and their funders. Actual community interactions are often super nuanced.

[butts-bouncing-on-the-beltway]

Because I read the tags - would you be willing to share more about that explicit curriculum for unlearning shame about questions? It sounds very cool!

I'm happy to try!

So, I work for a healthcare practice, and am the lead supervisory staff for the internship program these days (because apparently I have "leadership qualities" like "patience" and "enthusiasm for answering questions" and "a strengths-based teaching style"). Those who know me may understand that this is a choice I make under very specific circumstances as a psychiatric abolitionist because even if you can't change a system from the inside, until external changes are fully implemented, there are still people who need and deserve support from an extent system.

This means that an enormous portion of my curriculum with interns is "what it means to be someone in the position of wielding state power" and how to analyze and decomstruct systems of hierarchy. Because if there's one thing I will not do, it's sign off on a future mental health care provider who hasn't been comprehensively exposed to anti-psych conversations and anchored to "patient-led" communities and ethical critiques.

Within the first four weeks, we have the following lessons as a group:

Week 1: we are in positions of state-reinforced authority, and because of that I am going to ask you to be as vulnerable and open in our group work space as you want/expect your patient's to be. If you cannot do that, I cannot help you. Because we operate in a telehealth capacity, it is UP TO YOU to tell me when you need help because while I can "swing by" and check in with you, I fundamentally cannot notice from 6hrs away that you need help. This is not a role in which you can afford to feel ashamed of needing help, because shane leads to avoidance and avoidance leads to unintentional preventable harm, and if this is REALLY what you want to do, you need to take that seriously

Week 2: what does "learning to fail safely" look like for you? How do you recognize when you are failing/have failed and how do you take a functional look at how that went down without personalizing/internalizing any commentary about yourself from the experience (how can you learn to hold yourself and others in unconditional regard without sacrificing safety, boundaries, or needs of well-being)? What thoughts intrude in your mind when you have made a mistake or realize you don't know what to do? Until we understand how to help you actually hear what failure has to tell you about the path to success, the shoulds and shouldn'ts will control your decisions in ways you probably won't even notice. Who and how were you taught to feel ashamed of needing a period of adjustment/learning curve when interacting with a new skill or idea? What function does that shane serve for you?

Week 3: what is your actual learning process? Like specifically, i don't care WHAT YOU THINK YOU KNOW i care HOW YOU CAME TO "KNOW" WHAT YOU THINK YOU KNOW. Knowledge is inherently contextual and subjective. Are you aware of how that cookie crumbles for you specifically? Able to see both where you may be internalizing information you don't mean to and how you go about intentionally adding to or changing your knowledge? Where could this process change or improve or be adaptable in non-ideal circumstances?

Week 4: what skills do YOU think you are strong in? Which are still feeling vulnerable? Lets learn how you internalize/cultivate feelings like security, stability, confidence, compassion, etc. Lets talk about how to "self-reflect" without "self-interrogation/self-doubt" and how to sit in uncomfortable tense realities that need reconciled or processed. How do you let multiple things with overlapping conflicted areas be true at once?

Week 5: lets learn HOW to ask questions. In part we do this by introducing "case consultation" where an intern comes into group, describes a hypothetical (or real and fully anonymized) situation and asks for the group's thoughts on any dilemmas or uncertainties you see. But in part it's also about how *I* answer their questions. Because I don't "answer them" for the most part. I let the other interns answer directly, and I exclusively either INTERROGATE THE QUESTION ITSELF (why are you asking x and not y in this case? How have you heard the person discuss this related component? What are YOU feeling and how is it motivating the choices you're making and the options you're considering? What do you know already about this symptom/experience you are describing? That sort of thing) or I provide first person narratives from past clients, colleagues, and intra-communal conversations that may offer context and compassion for where that person is and WHY they are there.

Week 6: learn how to give feedback. What is criticism actually? What's the difference between "speaking a difficult truth" and "being cruel or inappropriate" or between "helping someone find language to communicate their experiences/needs" vs "putting words in someone's mouth". How do you find feedback easier or harder to provide? How do you provide it in ways that maintain accountability while mitigating feelings of defensiveness or rejection from the other party? What does it mean for feedback to be CONSTRUCTIVE and how do you decide to prioritize functional guidance to a peer? How do you root out the desire to "go easy" on peers in the field when they make choices or take actions that are harmful or unacceptable? How do you help each other grow in ways that DO NOT rely on or reinforce shame.

Week 7-14: start demonstrating to me your understanding of these concepts by assuming gradually increasing levels of personal and group responsibility for A) your personal learning, B) the learning/growth of your peers, and C) the form that the internship programming takes in order to acheive the above desired functions

Essentially, those first 6 weeks are heavy on really explicit and visible cognitive untangling of your processes as a person and as a professional, and then the remaining weeks are about building confidence/mastery in these processes such that by term 2 [weeks 15-28] I'm only a facilitator, not a teacher, and by term 3 [weeks 29-42] you should be assuming a teaching role for the new first-term interns. I am here to help you trouble shoot these processes until you feel confident in both cultivation of your OWN self-concept and skills, AND the support/facilitation of OTHERS' self-concept and skills.

We talk a lot about the inherent value of every voice, even in voices we fundamentally disagree with in every way, because communication is still communication even when we don't like or agree with what's being communicated, and understanding how to act on that mechanism with others around you is often a huge part of learning not to feel ashamed of the space you take up in the world, including the space of practicing a new skill or activity.

Conceptually, it seems really straightforward, but we meet probably at least once a day for at least an hour to do this stuff, and we do that for a YEAR, and by the end of it, we have a solid floor of self-esteem and security in the idea of imperfect enactment of human life being inherently valuable regardless of what comes next. It's a lifelong thing for sure tho. I organize these same talks as a continuum for past interns who have become staff and current internship supervisors helping the interns develop their skills, and while our conversations can often have different forms, they are often very similar if not identical in our goals. So like. Straightforward or not, this isn't easy or fast, and I try to emphasize as much as possible that it is also an endless process, not an outcome based static state we can one day acheive. So part of the process also needs to be learning how not to hate or be ashamed of past us no matter how much we had to grow away from past us. That shame will always keep us locked in that little bit of threat around change unless we are consistent with ourselves in kicking it to the curb when it shows up.

I will say, that this is a curriculum I can do because it is a small group (no more than 5 interns per group with 1-2 facilitators) that allows us to pivot and customize the bones of it as needed. I doubt it would function the same way alone or in a large group setting, but I imagine the principles of it could still be helpful in finding what IS functional in those circumstances

[inmirova]

In an ideal world, it would be a program for Deaf teachers, the government could even put it under vocational rehab if they wanted to! Unfortunately, even some Deaf schools don't employ many Deaf teachers and a lot of teaching jobs end up going to interpreters or just hearing & non-signing people instead. But you're right and I love what you said, we can hope 🩷

idk man. i just think itd be really cool if sign language classes were mandatory throughout primary school. yeah because it would make communication with deaf kids and autistic/nonverbal kids much easier. and those kids would be accessible to the others so they cold make friends and have healthy relationships. yeah. and kids would eat that shit up man. like their own little secret language? they love that.

[luckyladylily]

So a few months ago there was the discourse about would you rather meet a man or a bear in the woods. I didn't want to touch it while the discourse was hot and everyone dug in hard because those are not good conditions for nuance, but I waited until today, June 1st, for a specific reason.

I'm not going to take a position in the bear vs man debate because I don't think it matters. What is really being asked here is how afraid are you of men? Specifically, unexpected men who are, perhaps, strange.

People have a lot of very real fear of men that comes from a lot of very real places. Back when I was first transitioning in 2015 and 2016, I decided to start presenting as a woman in public even though I did not pass in the slightest.

I live in a red state. I knew other trans women who had been attacked by men, raped by men. I knew I was taking a risk by putting myself out there. I was the only visibly trans person in the area of campus I frequented, and people made sure I never forgot that. Most were harmless enough and the worst I got from them was curious stares. Others were more aggressive, even the occasional threat. I had to avoid public bathrooms, of course, and always be aware of my surroundings.

I know how frightening it is to be alone at night while a pair of men are following behind you and not knowing if they are just going in the same direction or if they want to start something - made all the worse for the constant low level threat I had been living under for over a year by just being visibly trans in a place where many are openly hostile to queer people. You have to remember, this was at the height of the first wave of bathroom law discussions, a lot of people were very angry about trans women in particular. My daily life was terrifying at times. I was never the subject of direct violence, but I knew trans women who had been.

I want you to keep all that in mind.

So man or bear is really the question "how afraid of men are you?", and the question that logically follows is "What if there was a strange man at night in a deserted parking lot?" or "What if you were alone in an elevator with a man?" or "What if you met a strange man in the woman's bathroom?"

My state recently passed an anti trans bathroom bill. The rhetoric they used was about protecting women and children from "strange men", aka trans women.

Conservatives hijack fear for their bigoted agenda.

When I first started presenting as a woman the campus apartment complex was designed for young families. The buildings were in a large square with playgrounds in the center, and there were often children playing. I quickly noticed that when I took my daughter out to play, often several children would immediately stop what they were doing and run back inside. It didn't take me long to confirm that the parents were so afraid of "the strange man who wears skirts" that their children were under strict instructions to literally run away as soon as they saw me.

"How afraid are you of a strange man being near your children?"

I mentioned above that I had to avoid public bathrooms. This was not because of men. It was because of women who were so afraid of random men that they might get violent or call someone like the police to be violent for them if I ever accidentally presented myself in a way that could be interpreted as threatening, when my mere presence could be seen as a threat. If I was in the library studying and I realized that it was just me and one other woman I would get up and leave because she might decide that stranger danger was happening.

Your fear is real. Your fear might even come from lived experiences. None of that prevents the fact that your fear can be violent. Women's fear of men is one of the driving forces of transmisogyny because it is so easy to hijack. And it isn't just trans women. Other trans people experience this, and other queer people too. Racial minorities, homeless people, neurodivergent people, disabled people.

When you uncritically engage with questions like man or bear, when you uncritically validate a culture of reactive fear, you are paving the way for conservatives and bigots to push their agenda. And that is why I waited until pride month. You cannot engage and contribute to the culture of reactive fear without contributing to queerphobia of all varieties. The sensationalist culture of reactive fear is a serious queer issue, and everyone just forgot that for a week as they argued over man or bear. I'm not saying that "man" is the right answer. I am saying that uncritically engaging with such obvious click bait trading on reactive fear is a problem. Everyone fucked up.

It is not a moral failing to experience fear, but it is a moral responsibility to keep a handle on that fear and know how it might harm others.

[chaoskirin]

I'm not gonna tell you how to vote, BUT...

Here are some truths about the upcoming United States election.

Either Trump or Biden will win.

Our political system is designed around ensuring that either the Democrat or the Republican win. There is no "but if everyone rallies around a third party candidate..." argument, because...

Grassroots campaigns can't work. There are areas of the country that don't have internet or television. Congress just allowed the Affordable Connectivity Program to lapse, denying internet to even more people. There is literally no way for some candidates to get their message to huge parts of the country.

The Republican and Democrat candidates are backed by huge donor machines that enable them to tour a campaign trail. Independent candidates do not have this luxury.

Our country still uses a First Past the Post (FPTP) voting system, which is specifically designed to support only two candidates.

Our country uses an electoral (all or none) system, which is why you hear that voting for a third party candidate "takes votes away" from one of the major party candidates. For example, if Trump gets 48,999 votes, Biden gets 50,000 votes, and a third party candidate gets one single vote, Biden takes all the electoral votes in the state. All of them.

I really hope you make your peace with this now. Please, vote how you want, but with one candidate saying he will essentially outlaw transgender people, I can't imagine NOT voting for the only other candidate who can possibly win. Right now the polls are 50/50, which is absolutely insane to me.

In my experience, it's usually younger people who talk about either voting their conscience, or not voting at all to "send a message." I assure you, not voting doesn't send a message to the candidate who loses. Your message is only received by the millions of Americans who will suffer as a result.

I don't want to argue. I have no desire to fight with anyone over this anymore. And if you want to ask me "so I have to choose between two killers?" as a gotcha, then I'm sorry to say... The answer is yes. Those are the choices we've been given. And because the United States is no longer a true democratic republic, there's not a whole lot we can do to change that right now.

[wild-at-mind]

A weird thing I've noticed as someone living in England is how often people also living in England seem convinced their lives will improve massively if they just move to Wales or Scotland. Or sometimes further afield.

[headspace-hotel]

How people in the USA loved nature and knew the ways of the plants in the past vs. nowadays

I have been in the stacks at the library, reading a lot of magazine and journal articles, selecting those that are from over fifty years ago.

I do this because I want to see how people thought and the tools they had to come up with their ideas, and see if I can get perspective on the thoughts and ideas of nowadays

I've been looking at the journals and magazines about nature, gardening, plants, and wildlife, focusing on those from 1950-1970 or thereabouts. These are some unstructured observations.

The discourse about spraying poisons on everything in your garden/lawn has been virtually unchanged for the past 70 years; the main thing that's changed is the specific chemicals used, which in the past were chemicals now known to be horribly dangerous and toxic. In many cases, just as today, the people who opposed the poisons were considered as whackos overreacting to something mostly safe with a few risks that could be easily minimized. In short, history is not on the pesticides' side.

Compared with 50-70 years ago, today the "wilderness" areas of the USA are doing much better nowadays, but it actually appears that the areas with lots of human habitation are doing much worse nowadays.

I am especially stricken by references to wildflowers. There has definitely been a MASSIVE disappearance of flowers in the Eastern United States. I can tell this because of what flowers the old magazines reference as common or familiar wildflowers. Many of them are flowers that seem rare to me, which I have only seen in designated preserves.

There are a lot more lepidopterans (butterflies and moths) presumed to be familiar to the reader. And birds.

Yes, land ownership in the USA originated with colonization, but it appears that the preoccupation with who owns every little piece of land on a very nitpicking level has emerged more recently? In the magazines there is a sense of natural places as an unacknowledged commons. It is assumed that a person has access to "The creek," "The woods," "The field," "The pond" for simple rambling or enjoyment without personally owning property or directly asking permission to go onto another person's property.

There is very little talk of hiking and backpacking. I don't think I saw anything in the magazines about hiking or going on hikes, which is strange because nowadays hiking is the main outdoor activity people think of. Nature lovers 50-70 years ago described many more activities that were not very physically active, simply watching the birds or tending to one's garden or going on a nice walk. I feel this HAS to do with the immediately above point.

Gardening seems like it was more common, like in general. The discussion is about gardening without poisons or unsustainable practices, instead of trying to convince people to garden at all.

Overall, the range of animals and plants culturally considered to be common or familiar "backyard" creatures has narrowed significantly, even as the overall conservation status of animals and plants has improved.

This, to me, suggests two things that each may be possible: first, that the soils and environments of our suburbs and houses have sustained such a high level of cumulative damage that the life forms they once supported are no longer able to live, or second, that our way of managing our yards and inhabited areas has become steadily more destructive. Perhaps it may be the case that the minimum "acceptable" standard of lawn management has become more fastidious.

In conclusion, I feel that our relationship with nature has become more distant, even as the number of people who abstractly support the preservation of "wilderness" has increased. In the past, these wilderness preservation initiatives were a harder sell, but somehow, more people were in more direct contact with the more mundane parts of nature like flowers and birds, and had a personal relationship with those things.

And somehow, even with all the DDT and arsenic, the everyday outdoor spaces surrounding people's homes were not as broadly hostile to life even though the people might have FELT more hostile towards life. In 1960, a person hates woodpeckers, snakes and moths and his yard is constantly plagued by them: in 2024, a person enjoys the concept of woodpeckers, snakes and moths but rarely sees them, and is more likely to think of parks and preserves as the place they live and need to be protected. Large animals are mostly doing better in 2024, but the littlest ones, the wildflowers and bugs and birds, have declined steeply. It's not because "wilderness" is less; it seems more because non-wilderness has declined in quality.

[cripplecharacters]

Write more Deaf characters!

[Large Text: Write more Deaf characters!]

When answering questions about deaf and hard of hearing characters, I have noticed they are overwhelmingly about:

A character who is deaf in one ear or hard of hearing because of an accident

A character who was born deaf and knows sign language, but seems to have 0 connection to the broader Deaf community

This is not the experience of most d/Deaf people! So, here's your primer to Deaf community and culture, and writing a Deaf character, because they are sorely underrepresented.

(Disclaimer: this post was written using viewpoints I, a singular Deaf person in the United States, have encountered. I tried to make this as general as possible to encompass many Deaf views, but it is possible that I have misconstrued something. Do not take this guide as the be-all and end-all of your knowledge on Deaf culture. Keep reading and researching the Deaf community, and explore viewpoints from many different Deaf people of all backgrounds.)

Why do you write Deaf with capital D?

[Large Text: Why do you write Deaf with capital D?]

The term "deaf" with the lowercase d means not being able to hear. The term "Deaf" with an uppercase D refers to the cultural identity formed by deaf people. This identity is difficult to explain but it includes knowing sign language and engaging with other Deaf people.

There are varying opinions within the Deaf community on who is allowed to call themselves culturally Deaf. Some Deaf believe that only those who were born into the Deaf community (whose family is Deaf, who attended a Deaf school, and/or who have sign language as a first language) are allowed to consider themselves culturally Deaf. On the 'flip' side, some Deaf believe that anyone with hearing loss can claim the label. And of course, you can find someone Deaf with any opinion in between.

This is all intracommunity nuance. If your character is born deaf and learns sign language at a young age or as a first language, they are likely culturally Deaf.

Sign Language Use

[Large Text: Sign Language Use]

Sign languages are the language of Deaf communities. (Note that there are many sign languages in different regions, and they are not related in the same way spoken languages are!)

Most sign languages did not originate alongside spoken language, either, so they usually have different grammar than the spoken language in a region. This means that someone whose first language is sign may have difficulty learning even the written version of the spoken language due to the different grammar and translation. For native signers, the spoken language of their area is their second language.

Sign languages are fully developed languages, with grammar and structure. Sign language is not "less" than spoken language, and encouraging sign language does not discourage speech. (Even if it did, that's not a bad thing! Sign languages are still a valid and rich communication form!) Sign languages have slang and expressions/idioms too.

Sign languages typically have a "manual alphabet" otherwise known as "fingerspelling". This is a way to represent words that don't have a sign. Fluent signers very rarely fingerspell; normally fingerspelling is for proper nouns which don't have a name sign.

Name signs are the last big point I want to cover about sign language. A name sign is a way to refer to someone so you don't have to spell their name every time. It's usually related to someone's attributes, like dimples or a specific way of moving. Sign names can only be given by Deaf people who are fluent in sign language.

Deaf Education

[Large Text: Deaf Education]

For a long time, deaf people were considered unable to learn, just because they couldn't hear. And since 1880, for about 100 years and even still today, the prevailing tradition in deaf education was/is oralism--a teaching method based on speech that rejects sign language.

Historically speaking, if deaf children were to receive an education, they would be sent to a Deaf residential school. These still exist, although there are also many Deaf schools that are typical day schools, just for d/Deaf/hoh students.

Deaf children may also attend "mainstream" schools; they might have sign language interpreters and other accessibility accommodations, or they may be forced to rely on lipreading and context, or placed in special education where their needs often still are not met.

Oralism still has lasting effects today. Deaf people have received, and still do receive, worse education than hearing people.

One common problem is language deprivation. Many deaf children grow up without access to sign language. About 90% of deaf people are born to hearing parents; even if hearing parents do send their deaf kids to a Deaf school, they may not learn sign language themselves, so the child must rely on what they can gather of spoken language at home. Sign language is even discouraged by some audiologists and speech professionals, because it "might interfere with speech". But by depriving deaf children of sign language, more often than not, they are being deprived of all language.

People who are born deaf do not learn spoken language naturally, even when provided with aids like hearing aids and cochlear implants. Many deaf kids who learn speech learn it through extensive speech therapy, and often have a "deaf accent" from copying mouth shapes but not being able to hear or process what sounds they are making, which may also include having an atypically pitched voice (e.g., very high-pitched). Lip-reading is inaccurate and the best lip-readers can only follow about 30% of a conversation, and that's by intently watching with no breaks.

It is possible to learn a language at any age. But it is easiest to pick up a new language when one is young. Children who do not learn a first language by around age 5--the age at which they would start school--have more difficulty learning any language, and may have frequent outbursts or trouble expressing emotions as a result of communication difficulties.

Another problem, especially within the Deaf community, is literacy. Spoken languages are often unrelated to the signed language of the same region. Learning to read and write, as a Deaf child, is like learning a whole new separate language, with different grammar and structure than their native language. This is why captions are not a perfect accessibility tool--it is, for many Deaf people, being offered an alternative in their second language, if they have learned to read and write at all.

Deaf Culture Norms

[Large Text: Deaf Culture Norms]

To hearing people, Deaf conversation can seem very blunt and to the point. This isn't to say Deaf people are inexpressive--quite the opposite: sign languages often use facial expressions as part of the grammar, and there is a lot of expression that can be incorporated into a sign--but there isn't a lot of "talking around" things. You can see part of this culture in name signs, which are usually based off a trait of the person. It's not offensive--it's just how they're recognized!

Another conception is of Deaf people being over expressive, but again, that is just part of sign language grammar. Face and body movements take the place of tone of voice, as well as other grammatical clarifications.

Deaf people talk a lot! It's very hard to end a conversation, because there will always be something else to say or a new person to meet. Hugging and other physical touch are really common greetings.

Tapping people on the shoulder to get their attention is fine. Other ways include flicking the lights or rattling a surface (for vibrations). Eye contact while signing is also important to make known that you are listening. Groups of Deaf people will sit in a circle so everyone can see everyone else. It's rude to talk in a Deaf space. If you are lost in the conversation, you'd ask if you can write or type instead.

Deaf Space also refers to design concepts that are more accessible to deaf people. This includes good lighting, minimal signing-height visual obstacles (e.g., low waist-height shelves), visual indicators instead of bells, open spaces so people can sit in a circle to talk, and automatic doors and wide hallways/passages so it is easier to continue a conversation while walking.

It's also very rude to comment on a Deaf person's voice. Do not mention you're surprised they can speak. Do not call their accent "cute" or "weird" or anything like that. Do not ask them to speak. Do not say their voice sounds really good ("for a deaf person") or that you wouldn't be able to tell they are deaf.

Deaf Views on Deafness

[Large Text: Deaf Views on Deafness]

The Deaf community is incredibly proud of their Deafness. You'll often hear the phrases "hearing loss = deaf gain" or "failing a hearing test" as "passing the deaf test". Continuing the Deaf community and culture is highly valued, and learning sign language is encouraged for everyone.

Many people in the Deaf community dislike cochlear implants as their success is incredibly variable and they require invasive surgery and therapies from a young age. Another big argument against CI is that they are often presented as the only or the first option to hearing parents, who misunderstand CI as a "cure" and then do not give their child access to sign language.

Deaf people also reject any sort of cure for deafness, especially genetic therapies. Many Deaf people do not think of their Deafness as a disability.

(Deaf people will often point out the advantages of Deaf culture and sign language, such as being able to talk over long distances, through windows, and even underwater.)

Most hard of hearing and some deaf people have hearing aids, although it is really an individual choice whether or not to wear them. Many d/Deaf/hoh people are overwhelmed and startled very easily by noise (since they're not used to that much auditory input) and get tinnitus from auditory overstimulation. They may also struggle with auditory processing--locating sounds, interpreting sounds, recognizing and interpreting speech, and other issues.

The Deaf community doesn't have any general complaints about hearing aids, just many prefer not to wear them. Do know that they are an imperfect aid; they just amplify sound, which doesn't improve processing or understanding, and it doesn't make people hearing. Not everyone even benefits from hearing aids--their specific hearing levels may make hearing aids a bad choice of aid.

A big point you'll hear in Deaf spaces is Deaf Can (and Deaf Power). Hearing people have historically treated deafness as a sign of incapability, but Deaf people can do everything hearing people can--except hear.

Myth Busting

[Large Text: Myth Busting]

Myth #1: All Deaf people are completely deaf. This is very far from the truth! Most deaf people have some degree of residual hearing, although this may require very loud sounds and/or at very specific pitches. Plus, there are many culturally Deaf people who are not deaf/hoh at all--CODAs, hearing children born to Deaf parents, are part of the Deaf community.

Myth #2: (Non-speaking) Deaf people do not make noise. Also very far from the truth! First off, Deaf people laugh. Many Deaf people also vocalize without knowing or intending, especially when excited. We can get very loud!

Myth #3: (Speaking) Deaf people talk loudly. While this can be true, often d/Deaf people talk more quietly than expected. This is because with severe to profound levels of deafness, no speaking volume is really going to be audible, so they will often rely on feeling vibrations in their throat to know if they're making noise. Vibrations are detectable at lower volumes than hearing people like to listen to.

Myth #4: Deaf people can't drive. I actually have no idea where this one came from but it's false. Deaf people can absolutely drive, and tend to have a lower rate of accidents and violations than hearing drivers. There is a common trend of treating d/Deaf people like they can't do things unrelated to hearing, but deafness on its own only affects hearing.

Deaf Struggles in the Hearing World

[Large Text: Deaf Struggles in the Hearing World]

A huge problem is just basic accessibility. Many places do not have captions or visual indicators, or rely on hearing (like drive-throughs). Movie open caption screenings are often at awkward times, and caption glasses are hard to find or access and awkward to wear.

Deaf people are also at increased risk of police violence. Police often treat signing as aggression, rather than attempts to communicate. When they yell, talk quickly, or shine a flashlight in Deaf people's faces, it's even harder to understand what is going on. Deaf people are also not often provided with a qualified interpreter and may not understand what is going on or why they were arrested.

Deaf people, specifically those who are mainly kept in the hearing world, have higher rates of drug use and addiction.

Hearing people also treat Deaf people as incapable or lesser. Gallaudet University had only hearing presidents until 1988 after the Deaf President Now protests; then-chair of the board at GU said in a statement that received heavy backlash from the students, "deaf people cannot function in the hearing world".

When writing your Deaf character:

[Large Text: When writing your Deaf Character:]

Were they born to hearing parents or to Deaf parents? (90% of deaf children are born to hearing parents.) Is anyone else in the family d/Deaf?

At what age was their deafness noticed? (It can be at birth, or it can take several years, even for children born deaf.) Is their hearing loss progressive? Is their hearing loss significantly different in each ear?

Were they eligible for cochlear implants? Did they get CI? Did they get hearing aids? (Consider cost as a factor: CI requires the surgery as well as intensive speech therapy; hearing aids are also expensive and can need replacement and refitting.) How well do the aids work for them? Do they have them in one or both ears?

What advice did their family receive from audiologists and speech therapists about sign language and communication, and did their family listen? Did they learn sign language? At what age? Did their parents and family learn sign language? Are they language-deprived? Did they go through speech therapy? What is their speech like? Do they like using their voice?

Did or do they attend Deaf school? Is it residential or day school? If it's residential, did they understand what was happening when they were dropped off? Does the school use sign language or rely on oralism? (Consider time period; most schools now use sign language, but from 1880-about 1980 the predominant method was oralism.)

If they don't attend a Deaf school, what accommodations are they receiving in mainstream setting? Are they in special education? Are they in a Deaf program at a mainstream school? Do they have an interpreter? How much do they understand what is going on in class?

How involved are they in Deaf community and culture? Are their friends and family involved and supportive of the Deaf community? Do they treat deafness like something to cure? Do their friends and family frequently ignore or "forget" that they are deaf?

In general, consider their scenario, what ableism they've faced, and what their Deaf identity is.

Happy writing, and please continue to send in your questions!

Mod Rock

[star-anise]

Currently getting my socks clean blown off by Rethinking Narcissism, by Dr. Craig Malkin. Which I found, in a roundabout way, from this video on Midsommar, grief, and narcissism.

Tonight I woke up from a nap and accidentally took my morning meds, so I'm going to be up for a few hours because of the meth. In place of sleep, I'll try to roughly sum up some basic ideas proposed by the research the book is based on:

That traits of "narcissism" like entitlement, grandiosity, and feeling special are not inherently toxic. There are times and places they are appropriate and beneficial. If you show up at a hospital with a gunshot wound to the chest, you should not sit and wait to be seen after people with earaches and coughs. (Actually, medical systems are designed to prioritize people with more urgent needs, and you qualify under that system. You are special and are deserving of different treatment than those others, which is why making your needs known, even insisting on it if you're not listened to appropriately the first time, is an extremely good idea. It keeps you from bleeding to death on the floor, and keeps the hospital from getting its pants sued off by your heirs.)

It is more useful to view "narcissism" not as an inherent immutable personality trait, but as a cluster of coping mechanisms. As previously stated, there are times they are exactly the right coping mechanism for the job. However, people we call "narcissists" tend to cling to these ones even when they become detrimental to themselves and others, often because they lack other ways of regulating their emotions and getting their needs met. And that is something they can change, if a person is willing to put in sincere and difficult work. It is not usually fast change; it's a matter of years, not weeks. But a skillbuilding approach turned Borderline Personality Disorder from an immutable curse to a fully treatable (though not quickly treatable) condition, and there's a lot of hope that it can do the same for Narcissistic Personality Disorder.

Meanwhile, there's an opposite end to the narcissism spectrum, and it is also pathological and destructive to hang out there all the time. It's an aversion, or even a resistance, to expecting yourself or other people to treat your own feelings, thoughts, ideas, needs, or preferences as important. For Greek mythology reasons, its proposed name is Echoism.

Unfortunately, because most of the damage echoism does is, by its very nature, localized to its sufferer and their own personal relationships, its downsides aren't often talked about. In fact, it's often seen as an ideal moral state, a kind of altruism or saintliness everyone should strive for. As a pathological coping mechanism a person is trapped in, though, it's often more a fear-based reflex than a conscious and deliberate attempt to achieve some real and specific good. It's not actually as beneficial as being able to recognize your needs, desires, positive aspects, and areas of competence or excellence, and bring them forward in your relationships with other people and yourself.

To me this has all been a cross between a gut-punch and a cool, sweet drink of water. There have been other ways to describe echoism over the years, but this feels like the most concise and useful one I've seen in ages.

It specifically puts its pin down in the middle of the moral debate a lot of people struggle with—"What right do I have to put myself forward? What hope do I have of being seen and accepted? Isn't it better not to burden anybody else?"—and says that the problem is not feeling in touch with either side of the equation, but specifically, the inability to move from one part of the spectrum to another when it's merited by circumstances.

When I was a child, I thought Echoism was the answer. It was my ideal. I thought it was what would get me the love and acceptance I wanted, and would keep me safe from the pain of rejection or not being understood. I had no idea it would actually, in fact, be the primary cause of alienation and loneliness for the rest of my life.

Now I'm so deeply thankful I couldn't fully achieve it, in practical terms. As hard as I tried to erase myself, there were always things I loved too much to suppress. I still found ways to express and discover myself in the books I read, the stories I wrote, the intellectual work of school and the experience of pursuing hobbies I loved, my ambitions to be helpful even when they demanded I stop being selfless, and the relationships where I felt safe enough to experience love and acceptance even if I didn't think I deserved them.

There's this question I found a while back that echoed in my bones: Who am I allowed to be around you? Because that's what I felt like, as a child. If I wanted to engage with other people and minimize my risk of harm, it was my job to bend into a pretzel and fit the shape they wanted. And thank god, thank god, thank god, I couldn't fully do it. Despite everything, there were parts of me too strong and bright to lop off completely to get my arms and legs inside the carriage. I was able to take care of myself and let them grow in secret until I found social places I could let them out again. Despite myself, I found ways to grow and thrive, well beyond the trauma that said I shouldn't have.

[hoshifighting]

Producer!Woozi x Celebrity!Reader

— Synopsis: You and Woozi have admired each other's work for a long time. Now, he has the opportunity to produce an album with you. Working on an album for a worldwide artist like you brings him immense joy... and turn-ons. — WC: 4.8k — WARNINGS: Smut, studio sex (Universe Factory), oral (f.receiving), penetrative sex, unprotected sex, fingering, clit stimulation, g'spot stimulation, aftercare, reader fangirling over Woozi shirtless in Ruby's M/V mentioned.

Your name is splashed across big screens from Times Square to the Grammy Awards. Music didn't just enter your life; it crashed in, loud and powerful, sweeping you off your feet. It became your everything. 

You went from singing in front of millions of people to strumming your guitar alone in a poorly illuminated room, lost in your own world. Music was your passion, your escape, and your purpose all rolled into one.

With that passion came endless opportunities. You were constantly on the move, traveling from one country to another, meeting people you once only dreamed of being in the same room with. You found yourself breathing the same air as your idols, sharing stages with legends. 

Friendships blossomed, some fast and fleeting, others deep and lasting. The world knew your name. Your songs played in every state, on every continent, bridging gaps between different cultures and bringing people together.

Those cultures left a mark on you too. 

You soaked in the richness of each place, each new experience shaping your music and your perspective. You remembered your early days, the hunger for inspiration, the late-night searches for new artists. 

One night, you stumbled upon a webcam live stream with a bunch of boys in a neon green melona room. You laughed and loved watching them, their energy infectious even through a screen. You became a fan, following their journey as you built your own.

But here's the thing about being a superstar: time is never on your side. Your schedule was always packed, and despite being in contact with some of the Seventeen members through DMs and mentioning your admiration for them in interviews, meeting them in person was a challenge. You were in Seoul for a tour once, and they appeared on your show, but there was never enough time to truly connect.

Now, after years of hectic schedules and fleeting encounters, you finally had a moment to breathe. You were working on a new album, and for the first time in a long time, you had the opportunity to switch things up. Your usual producers were fantastic, but this time, something different was calling you. An opportunity was waiting in South Korea, and it had your heart racing with excitement.

You, your manager, and the company representing the group had been in talks for months, working out the details. The goal was clear: to collaborate with Woozi, the musical genius from Seventeen, on your new album. 

When your team informed Woozi that you had just arrived at HYBE, his palms began to sweat. He never imagined he’d get to work with someone of your caliber. The fact that you specifically wanted to work with him made it all the more surreal.

As you walked through the HYBE building, your assistant and one of the staff members gave you a tour. You were almost giddy with excitement. The walls were lined with photos and awards, the air buzzing with creativity. When you finally approached the recreation area and spotted Woozi, his cheeks turned a shade of red. He was nervous, but seeing you smile so brightly at the sight of him sent a sense of relief through his system. 

You were genuinely happy to see him.

As you step into the recreation area and see Woozi standing there, your cheeks flush a deep red. You can’t contain your excitement. "Woozi, I'm so happy to see you," you say, extending a hand, unsure if a hug would be appropriate.

He senses your shyness, and, in a moment of genuine openness, he breaks through his own reserve and gives you an awkward hug. It's brief and a bit clumsy, but it’s sincere. As you pull away, you swear this is the happiest moment of your life.

"I’ve admired your work for so long," you say, your eyes sparkling with genuine admiration. "Your music is incredible."

Woozi shakes his hands in front of him, a shy smile spreading across his face. His long hair swings slightly as he responds, "Oh, no, really, it’s nothing compared to what you’ve done. I'm honestly just honored to be here with you."

You laugh softly, feeling a bit more at ease. "Are you kidding? I still remember hearing your solo for the first time and just being blown away."

Woozi's cheeks tint pink as he looks down, scratching the back of his head. "Thank you, that means a lot coming from you. I remember when we all watched your first big performance. We were in our green room, and we were all just in awe."

You grin, recalling that exact moment you first saw them. "I remember that! I was so inspired by you guys. It’s amazing how things come full circle, isn’t it?"

He nods, his eyes meeting yours with shyness "It really is. I never thought I’d get the chance to work with someone I looked up to so much." Woozi chuckles softly, breaking the silence. "By the way, I saw your post on Twitter about wanting to visit the Universe Factory—my studio."

Your eyes widen in surprise, and you cover your face with your hands. "Oh my God, you guys see my tweets? Oh nooo!"

He laughs, a sound that's both comforting and infectious. "Yeah, they're hard to miss," he admits. "And I may have received a few screenshots of your reaction from 'Ruby'." 

You gasp, mortified as memories of your tweets flood back. You remember typing frantically about needing a defibrillator when Woozi appeared shirtless in the music video. "Oh no, those tweets. I can't believe you saw those."

He’s grinning. "It's okay, really. It was kind of sweet to be honest. We all had a good laugh about it."

Peeking through your fingers, you sigh. "Well, now that my embarrassment is out in the open, I guess it’s only up from here, right?"

Woozi grins, a twinkle in his eye. "Absolutely. Besides, it’s nice to know we have mutual fans of each other’s work. It makes this collaboration even more special."

You nod, recalling how your fanbase and Seventeen’s had always gotten along so well. “Our fans really hit it off, didn’t they? It’s like they’ve been rooting for this collaboration all along.”

Woozi smiles and gestures for you to follow him. “Come on, let me show you the Universe Factory.”

Walking into his studio, you’re immediately struck by how incredible it looks. Purple lights cast a calming glow over the space, and the view from the windows is breathtaking. Everything, from the colors to the high-tech equipment, is perfectly arranged. You can tell he put a lot of effort into making this place special.

“Wow, Woozi, this is amazing,” you say, your eyes wide with admiration. “I always saw photos of your studio, but in person, it’s even better.”

“Thanks, but it’s just a studio.” Woozi’s shy smile returns, but there’s a sparkle in his eyes. “I wanted it to be just right for when you got here. I spent the whole week cleaning and moving things around. Even used some scented sprays.”

You laugh, feeling a snugness in your chest. “You didn’t have to go through all that trouble for me, but I appreciate it.”

He shrugs, his smile widening. “I wanted everything to be perfect.”

Woozi shows you some of the instrumentals he’s been working on, and they’re incredible. The beats blend seamlessly with the lyrics you sent him, and you can already hear the potential for something amazing. He’s practically buzzing with enthusiasm to hear how your voice will mesh with his music.

“Let’s get you in the recording room,” Woozi says, leading you to the booth.

You put on the headphones and glance through the glass at Woozi in the control room. As you start warming up your voice, he watches with a small smile. You can see him scoffing lightly, clearly amused by your funny warm-up techniques.

He presses the intercom button. “I’m definitely going to use that later.”

You sulk playfully, giving him a pout. “Come on, don’t make fun of me.”

He laughs, the sound filling the control room. “Sorry, sorry. It’s just cute the way you warm up.”

Rolling your eyes but smiling, you turn your focus to the paper in front of you. Woozi cues up the beat, and you start with a rough draft, feeling your way through the melody. Even in this initial take, Woozi can’t help but feel impressed. Your voice is powerful, yet it fits perfectly with the track.

You glance up occasionally, catching Woozi’s eyes. He gives you a thumbs-up, his appreciation evident even through the glass. As you continue, you find yourself getting lost in the music, and Woozi’s focus never wavers. When you finish, you look up to see him grinning widely.

“That was just the warm-up?” he says, pressing the button again. “I’m really excited to hear the final version.”

You laugh, feeling a rush of confidence. “Yeah, just the warm-up. Wait till you hear the real thing.”

Woozi nods, eyes gleaming with joy. “I can’t wait. Let’s do this.”

You start to sing for real now, fully immersed in the music. The lyrics flow smoothly, and your voice dances effortlessly over the instrumentals. When it comes to a tricky melisma, you frown slightly, pausing to ask Woozi through the intercom;

"Which tone should I use for this part?"

Woozi, equally focused, listens intently as you demonstrate two different versions. Both sound amazing to him, and he takes a moment to think. He taps his chin thoughtfully before pressing the button. "Try the second one, but start a half-step higher and then slide down smoothly."

You nod, absorbing his suggestion. You take a deep breath and try it his way. The moment you hit that melisma, sliding down effortlessly, the note hangs in the air. Woozi’s eyes light up, and he gives you an enthusiastic thumbs-up from the control room.

As you're in the middle of recording, Soonyoung suddenly appears in the studio, his presence bringing an unexpected burst of energy. You catch sight of him through the glass and wave enthusiastically, a big smile spreading across your face. Soonyoung returns the gesture, his excitement palpable even from a distance. He settles on the couch behind Woozi, watching the two of you work with keen interest.

Woozi presses the intercom button and gives you a nod. "Try going a bit higher for the adlibs."

You nod and sing the section, hitting the high notes while looking at Woozi for confirmation. He listens intently, his gaze dark in focus. “You did so good. That was perfect.”

You can hear Soonyoung’s voice from the back. “He never praises us like that.”

Woozi turns in his chair, giving Soonyoung a deadly glare. 

Soonyoung, unphased, grins and stretches as he stands up. “Alright, alright. I know when I’m not wanted,” he says dramatically, walking toward the door. Just as he’s about to leave, he pauses and turns back. “But after you’re done recording, we’re taking you to dinner Y/N. No excuses.”

You give him thumbs up. Feeling the warmth of their camaraderie. Woozi shakes his head but smiles, turning back to you. 

“Ignore him. Let’s finish this up. You’re doing great.”

After skipping through some tracks, you find yourself sitting in Woozi's incredibly comfortable chair, fiddling with his equipment. The buttons, dials, and sliders are all so intriguing, and you can’t help but feel like a kid in a candy store, discovering new settings and features.

Woozi watches you from a few feet away, arms crossed, a smile playing on his lipsㄧHe knows you’re no stranger to studios and equalizers, but he loves seeing the joy in your eyes as you explore his setup like it’s the coolest thing in the worldㄧHe wonders if your producers ever let you have this much hands-on control.

“Hey, Woozi, how do you tweak the master mix settings here?” you ask, looking up from the console.

He steps forward, moving behind you. His arms come to rest on either side of the chair, effectively caging you in as he leans over to type on the keyboard. 

“You just need to go into this menu,” he says, his voice low and calm. He types swiftly, his fingers dancing over the keys. “Then, adjust the settings here. See?”

You nod, trying to focus on his explanation, but the closeness is overwhelming. You can feel the warmth of his body, his head so close to yours. 

It’s hard to concentrate when you’re not even breathing.

His voice is soft and steady, his breath warm on your skin. You watch his hands move expertly, typing commands and making adjustments with practiced ease. Your heart is pounding so loudly, you’re sure he can hear it.

“And here, you can add some reverb” he continues, “See how that changes the sound?”

No, not when he’s this near.

You nod, feeling a bit dazed. He tells you to try it yourself, and you reach for the adjustment, your hand hovering uncertainly over the controls. Woozi lets go of the mouse and places his hand over yours, guiding it to lower and raise the equalizer. His skin is soft and warm against yours, and the contact almost makes you melt on his chair.

“Like this,” he murmurs, gently moving your hand with his. “Just a little adjustment here and there.”

You can hardly concentrate on the settings, your mind fixated on the sensation of his hand over yours. 

You turn your face slightly toward his, and he looks at you, the proximity between you almost intolerable.

Your eyes lock, and for a moment, the world outside the studio fades away. His gaze is intense, filled with something that makes your breath catch in your throat. Woozi’s hand squeezes yours lightly.

You can feel your pulse quicken. His eyes flicker to your lips for a brief second before meeting your gaze again. The moment stretches, neither of you moves, both caught in the electric current that seems to have taken over the room.

Finally, Woozi clears his throat, breaking the spell but not the connection. "There," he says softly, his voice barely more than a whisper. "You’ve got it."

As you try to focus on adjusting the settings, Woozi leaves your hand on the side of yours, allowing you to make the changes yourself. You manage to make the adjustments, and as the sound fills the room, Woozi's voice breaks through the silence. "That's it. You're doing great." he praises.

You swear if he praises you again like that, you’re going to fucking wet his chair. You don’t even notice that you’re biting your bottom lip, too lost in the horniness.

Woozi’s words echo in your mind as you try to focus on the task at hand, but it's hard to concentrate with the way his body looks in the black shirt he's wearing. The fabric clings to him in all the right places, emphasizing his toned physique.

Every movement he makes with his hands, seems deliberate and calculated, and you can’t tear your eyes away.

You force yourself to push the distracting thoughts aside, but it's a losing battle.

Your gaze remains fixated on his hands as he places them on the border of the desk, supporting his body. His shoulders brush against the back of your head, and you can feel his presence looming over you. It’s as if he knows exactly what’s passing through your mind.

He brushes a hand over your shoulder, the sensation lingering even after he presses it between his hands in a gentle massage. You feel his lips tentatively brush against the corner of yours.

Caught off guard, you melt into his touch, your fingers intertwining with his as you lean into the kiss. His lips are soft against yours, a perfect match to the warmth of his touch. But when he catches you melting against his hand, he doesn't pull away. Instead, he turns the chair to face him, his hand sliding behind your neck to pull you closer.

His kiss deepens, and you respond eagerly, your hands sliding to each side of his face before tangling in his hair at the back of his neck. The kiss is desperate, as if you’ve both been holding back.

But when you finally break apart, gasping for breath, you realize that you can’t resist any longer. You get up from the chair, his hands desperately grab your waist, pulling your bodies together 

The way he holds your waist makes your tank top bunch up between his fingers, his palms feeling your belly's bare skin. You whimper against his lips, "Hmm, Woozi..."

He pulls back slightly, "Jihoon," he corrects gently, "Call me Jihoon."

Your stomach flutters at the intimacy of calling him by his real name. "Jihoon," you repeat softly, savoring the sound.

He smiles, a soft, almost shy smile that makes your heart skip a beat. Then he leans in again, kissing your cheek, your jaw, and your neck. Each touch of his lips sends you on cloud nine, making you arch against his chest, your hands gripping his bicep for support.

"Jihoon," you murmur again, the name feeling more natural on your lips each time.

His hands move up your sides, sliding under your tank top, his fingers warm against your skin. He pulls the fabric up, and you lift your arms, allowing him to remove it completely. The cool air of the studio contrasts with the heat of his touch, making your nipples harden.

He takes a moment to admire you, his eyes roaming over your body "You're beautiful," he whispers.

You blush, feeling a little shy under his gaze. "You too," you reply, reaching up to touch his face, your fingers tracing the lines of his jaw.

He smiles and pulls you closer, his lips finding yours once more. This kiss is deeper, more urgent, as if he's trying to pour all his feelings into it. You respond with equal fervor, your hands exploring the planes of his chest, and the muscles of his back.

Jihoon’s hands move to your waist again, his fingers brushing the waistband of your jeans. He pauses, looking at you for permission. You nod, your breath hitching in the process.

He unbuttons your jeans, sliding them down your hips and letting them pool at your feet. You step out of them, standing before him in just your underwear. He takes a moment to admire you again, his eyes dark with desire, a little hidden under his long bangs.

You reach for the hem of his shirt, lifting it up and over his head. He helps you, tossing it aside. Your hands explore his bare chest, feeling the warmth of his milky skin, the steady beat of his heart.

This time, his hands roam more freely, exploring every inch of your body. His touch is gentle, yet possessive, as if he's trying to memorize every curve, every contour. After all, he doesn't know when he'll be able to touch you like that again. That is, if there is a next time.

You respond in kind, your hands moving over his body, savoring the feel of his muscles flexing under your fingertips.

He guides you toward the couch, his lips never leaving yours. You lie down, pulling him with you, your bodies molding together perfectly. He kisses his way down your neck, your chest, his lips leaving a trail of saliva in their wake.

"Jihoon," you moan, your hands tangling in his hair as he takes one of your nipples into his mouth, sucking gently. The sensation numbs your mind, making you arch against him.

Jihoon makes you relax on his couch, but you suddenly become very aware when his fingers slide your panties to the side, moistening his fingers with your lubrication. He opens his eyes to watch you squirm as your pussy sucks his finger inside without effort. His cold finger fits perfectly inside you, and you can feel him teasing to put another one. You clap a hand over your mouth to stifle your moans.

He laughs softly, taking your hand off your mouth. "The studio is soundproof. You can moan as loud as you want."

You mentally thank him because with his fingers now perfectly entering and leaving you, a loud moan escapes your mouth, and the sound of your wet pussy isn't discreet. You're loving the intense gaze he has on you, like you're about to be devoured. He tries to kiss you, but you can only moan as he fingers you.

Jihoon curls his fingers on your g'spot, repeating the motion again and again. You let out a strangled moan, squirming under his touch. "Don't do that, or I'll mess up your sofa," you warn, your voice shaky with pleasure.

He looks at you from under his bangs, a mischievous glint in his eyes. "I don't care about the sofa," he murmurs, pressing a hand on your lower belly to intensify the curl of his fingers.

The added pressure makes you scream, "Please, please!"

Jihoon smirks, his fingers moving faster inside you. "Please what? Tell me what you need," he demands, his voice commanding.

"Please, Jihoon, I need more," you gasp, your body arching against his hand.

He leans in closer, his breath hot against your ear. "More of what? My fingers? My mouth?" he asks, his tone teasing.

"Both," you whimper, feeling desperate for more of his touch.

Jihoon chuckles, his lips brushing against your ear. "Greedy, aren't you? But I'll give you what you want," he promises, his fingers curling and pressing against your g'spot with relentless precision.

You cry out, your body trembling. "Jihoon, I'm going to—"

"Do it," he whispers, his calm raspy voice making you bite your bottom lip. "Come for me."

Your hands clutch at the couch as Jihoon's head moves from above you to between your legs. The moment his tongue touches your clit, you can't hold back, and you come almost immediately. 

He stops for a moment, just to admire the sight of you arching your back on his couch, his fingers deep inside you, all wet as you roll your hips on them, moaning in his studio, naked. He never thought it would happen, but he isn't complaining.

You discover he's stronger than you thought when he holds your hips down to keep you in place before he devours your pussy. You roll your eyes at the sensitivity and the sight of his fangs tickling your skin, making you giggle between moans. 

The scene is completely sinful. You prop yourself up on one elbow and hold his hair up to see his face, flushed but with closed eyes, all concentrated on giving you pleasure. You find it incredibly cute, and you can't help but praise him.

"Jihoon, you're doing so good," you murmur, your voice trembling. "You're so focused, it's amazing."

In response, he sucks your clit inside his mouth, making you pull his hair a little. He hisses softly, and you quickly apologize. "Sorry, I didn't mean to—"

He looks up at you, a playful glint in his eyes. "It's okay," he says, his voice slightly rough. "I like it."

You can't help but moan louder as he resumes his attention to your clit. His fingers continue their relentless rhythm inside you, and you feel the pressure building again.

"Jihoon, please," you gasp, your hips bucking against his hold.

You gasp, and Jihoon stops, making your head fall back as you whine, your orgasm interrupted. He kneels on the couch, lowering his sweatpants and underwear to his thighs. You shake your head, saying, "I want you to take it all off."

He smiles, obliged, then comes completely naked over you. You spread your legs for him, wide, and he slides his cock between your folds, eliciting a whine from you. Still supporting yourself on your elbow, you grab his hair, pulling it slightly, earning a moan from him.

As your tongues wrap around each other, his cock slides inside you, and you open your mouth in a silent moan, your back plopping on the couch. He moans at the sensation of your gummy walls wrapping his cock, sucking him in welcomely. He also smiles, finding your reaction endearing.

Jihoon rolls his hips slowly, letting you adjust to the fullness of his cock. The slow stimulation draws moans from your lips, and you gasp, "Not only do you make amazing music, but you fuck so damn good too."

Jihoon lets out a genuine laugh, his breath warm against your skin. He hides his face in the crook of your neck, so shy, and you pull him back, wanting to see his eyes. He glances at you, amusement shining in his gaze.

"You really know how to flatter a guy," he chuckles, his eyes crinkling at the corners.

You laugh with him, the sound mingling with the intimate atmosphere around you. "It's true," you say, your voice lighter. 

Jihoon shakes his head, still smiling, but the moment of levity shifts as he feels your walls tighten around him. His smile fades into a look of intense pleasure, his face contorts, and he starts to moan, the sound vibrating through you.

"Oh, God," he groans, his hips picking up a rhythm that makes your breath hitch. "You feel so good."

The sounds of skin slapping, your moans, and the low hum from the computer rendering the music become the backdrop to your intense session with Jihoon. Your breasts bounce with every thrust, and your hair spreads wildly across the couch. He can feel your wetness around his cock, spreading to his thighs and the couch. You brace yourself with one hand on the couch's arm, your lips plump and sensitive from the kisses and bites.

Jihoon closes his eyes, focusing solely on the sensation of your pussy. If he keeps looking at how much pleasure you're experiencing, he might come too soon. But you can already sense his cock throbbing inside you.

"Open your eyes," you urge him, catching on.

He opens them, sulking a bit, and you give him a devilish smile. You lick your fingers, sliding them down your body to circle your clit, doubling your pleasure and his. His mouth falls open at the sight.

"Fuck, nooo..." he mumbles, watching your every move.

You revel in the sight of his abs flexing, showing that his orgasm is near. Sensing his impending climax, Jihoon pulls out, giving himself a moment to regain control. When he's ready, he slides back in, making you arch your back and curl your toes, triggering your orgasm instead.

You smile at his audacity, and he grins, seeing that his tactic worked. "F-fuck you… I'm cumming, Jihoon," you warn, closing your eyes as the pleasure builds.

He speeds up his hips, making you stop breathing for a second before a deep moan escapes from your chest. You feel yourself clenching and unclenching around him, your body shuddering as you reach your peak. Panting hard, Jihoon pulls out just in time, spilling his cum on your belly as he strokes his cock. His body trembles, and his eyes lock with yours, his bangs falling over his forehead.

Jihoon takes a long look at your spent body, a satisfied smile spreading across his face. "How about a nap before dinner?" he suggests softly.

You close your eyes and nod, feeling the exhaustion settling in. "Right..." he murmurs, getting up from the couch.

You miss the warmth of his body immediately and let out a small whine. He chuckles, "I'm coming back," he assures you as he grabs a box of Kleenex and brings some tissues to clean you up. Gently, he wipes your belly and between your legs, his touch tender.

"I'm glad we finished some songs," he teases, his eyes twinkling. "You don't look like you could continue... at least not today."

You scoff, too tired to come up with a witty response. Jihoon starts dressing you, carefully slipping your top back on, your panties, and leaving your jeans off so you can nap comfortably. Once you're settled, he dresses himself quickly.

From the corner of the studio, he fetches a thin blanket draped over a poltrone. He covers you with it and then lays down beside you, pulling you close.

"You really wore me out," you murmur, a hint of amusement in your voice.

He grins, pressing a soft kiss to your forehead. "Likewise," he says. "But it was worth it."

You let out a contented sigh, feeling more relaxed than you had in a long time. "I can't wait to hear how the songs turn out," you confessed, your voice growing dreamier with each passing moment.

Jihoon hummed in agreement, his fingers resuming their soothing motions on your back. "Me too," he murmured. "But for now, let's just enjoy this."

And so you did. Wrapped in each other's arms, you drifted off into a peaceful sleep, you snuggle into him, the steady rhythm of his breathing lulling you towards sleep. 

[sayruq]

Dear President Biden and Vice President Harris, We are 99 American physicians, surgeons, nurse practitioners, nurses, and midwives who have volunteered in the Gaza Strip since October 7, 2023. Combined, we spent 254 weeks volunteering in Gaza’s hospitals and clinics. We worked with various nongovernmental organizations and the World Health Organization in hospitals and clinics throughout the Strip. In addition to our medical and surgical expertise, many of us have a public health background, as well as experience working in humanitarian and conflict zones, including Ukraine during the brutal Russian invasion. Some of us are veterans and reservists. We are a multifaith and multiethnic group. None of us support the horrors committed on October 7 by Palestinian armed groups and individuals in Israel.

We are among the only neutral observers who have been permitted to enter the Gaza Strip since October 7. Given our broad expertise and direct experience of working throughout Gaza we are uniquely positioned to comment on several matters of importance to our government as it decides whether to continue supporting Israel’s attack on, and siege of, the Gaza Strip. Specifically, we believe we are well positioned to comment on the massive human toll from Israel’s attack on Gaza, especially the toll it has taken on women and children.

This letter and the appendix show probative evidence that the human toll in Gaza since October is far higher than is understood in the United States. It is likely that the death toll from this conflict is already greater than 118,908, an astonishing 5.4% of Gaza’s population. Our government must act immediately to prevent an even worse catastrophe than what has already befallen the people of Gaza and Israel. A ceasefire must be imposed on the warring parties by withholding military support for Israel and supporting an international arms embargo on Israel and all Palestinian armed groups. We believe our government is obligated to do this, both under American law and International Humanitarian Law. We also believe it is the right thing to do.

With only marginal exceptions, everyone in Gaza is sick, injured, or both. This includes every national aid worker, every international volunteer, and probably every Israeli hostage: every man, woman, and child. While working in Gaza we saw widespread malnutrition in our patients and our Palestinian healthcare colleagues. Every one of us lost weight rapidly in Gaza despite having privileged access to food and having taken our own supplementary nutrient-dense food with us. We have photographic evidence of life-threatening malnutrition in our patients, especially children, that we are eager to share with you. Virtually every child under the age of five whom we encountered, both inside and outside of the hospital, had both a cough and watery diarrhea. We found cases of jaundice (indicating hepatitis A infection under such conditions) in nearly every room of the hospitals in which we served, and in many of our healthcare colleagues in Gaza. An astonishingly high percentage of our surgical incisions became infected from the combination of malnutrition, impossible operating conditions, lack of basic sanitation supplies such as soap, and lack of surgical supplies and medications, including antibiotics. Malnutrition led to widespread spontaneous abortions, underweight newborns, and an inability of new mothers to breastfeed. This left their newborns at high risk of death given the lack of access to potable water anywhere in Gaza. Many of those infants died. In Gaza we watched malnourished mothers feed their underweight newborns infant formula made with poisonous water. We can never forget that the world abandoned these innocent women and babies. We urge you to realize that epidemics are raging in Gaza. Israel’s continued, repeated displacement of the malnourished and sick population of Gaza, half of whom are children, to areas without running water or even toilets available is absolutely shocking. It was and remains guaranteed to result in widespread death from viral and bacterial diarrheal diseases and pneumonias, particularly in children under the age of five. Indeed, even the dreaded polio virus has reemerged in Gaza due to a combination of systematic destruction of the sanitation infrastructure, widespread malnutrition weakening immune systems, and young children having missed routine vaccinations for nearly an entire year. We worry that unknown thousands have already died from the lethal combination of malnutrition and disease, and that tens of thousands more will die in the coming months, especially with the onset of the winter rains in Gaza. Most of them will be young children. Children are universally considered innocents in armed conflict. However, every single signatory to this letter saw children in Gaza who suffered violence that must have been deliberately directed at them. Specifically, every one of us who worked in an emergency, intensive care, or surgical setting treated pre-teen children who were shot in the head or chest on a regular or even a daily basis. It is impossible that such widespread shooting of young children throughout Gaza, sustained over the course of an entire year is accidental or unknown to the highest Israeli civilian and military authorities.

[seilon]

why does my local city college have so many more course/program options than my local state college this fucking Sucks

[genderjester]

SIGH the state of finding therapy in this country.....

[gay-dorito-dust]

How would Jason and Dick react to their smol fem!s/o squishing their face into their thick tiddies like that meme* with giggles?

Dick

Would only think that he wasn’t close to you for his own liking and nuzzled his face further into your chest, making noises similar to that of a purring cat.

He just loves being close to you however he can, sexual or not, and values it no matter what as he found physical touch between the two of you rather relaxing, calming and therapeutic as it was a form of affection that required the least amount of words.

Not that he hates talking, no, sometimes he values the quieter moments shared between the two of you and live in the moments where you are existing in the same space and are just happily living.

‘You enjoying yourself there?’ You asked as you ran your fingers through his hair, amused.

‘Suffocation is an acceptable death, anyone who says otherwise are cowards. Write that on my gravestone babe, it’ll be put into debate for the future generations to decipher what it means.’ Dick murmurs as his mind was in a state of pleasurable bliss and a smile spread wide across his face, the warmth of your skin was addicting and he even dared to press some appreciative kisses against your chest.

You chuckled. ‘I’ll try but I’d much rather have you alive to enjoy moments like these in the future.’

‘You’re suffocate me with your chest more often?!’ Dick asked, lifting his head from your chest to look at you with wide eyes, you scoffed and shoved his face back into your chest, only to feel the appreciative kisses being peppered against your skin.

‘Just enjoy the moment dickie bird, enjoy the moment.’ You replied, fingers running through his hair as soon enough drifted into a peaceful slumber.

Jason

He loved any and every chance to be affectionate with you, but for you to push his face into your chest? He’s frozen for a brief moment as his mind tries to catch up as to what he did to deserve this treatment.

He couldn’t and would try to ask you whether it was okay for his face to be in your tiddies, as if you weren’t the one who shoved his face in that specific area in the first place; he wants you to be comfortable with him being shoved in those places as your comfort was more important than his own.

Which you’d contradict and say that his comfort was your priority and more important and that you were more than happy to have his face shoved into your chest; you wouldn’t done so if you weren’t comfortable with him being there.

So Jason will gradually react and hum in content as he closes his eyes, taking in how he could hear your heart beating, feel you breath in and out, how warm you were against him. He finds it grounding and soothing for his mind to feel you alive in such simple ways as these. He’ll lock his arms at your waist and hold you close, his face burrowed into your chest as he breathed you in deeply and feeling deeply comforted.

‘You okay there Jason?’ You asked softly, not wanting to disturb this peace that Jason had made for himself.

‘I love feeling everything that reminds me that you’re alive, that you’re safe.’ Jason replied with sincerity, making your heart melt and a smile blossom across your face.

‘Does it comfort you jay birdie?’ You ask again, wanting Jason to feel nothing but comforted within your embrace, remembering this for future reference should you need to comfort him on the fly.

‘Very, thank you for allowing me into your heart chipmunk.’ Jason says as he kissed the middle of your chest, before resting his forehead there as he once again thanks whatever higher power for granting him you.